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In this section, we will explore how the subject and expressive content of a painting combine to create a unique work of art. There are several very good lesson plans and activities that already exist on the Web. References to useful sites are provided where appropriate and are indicated by an aqua arrow ~~>.
EXPRESSIVE CONTENTConsidering only the subject of a painting, however, can be limiting. For example, if only the subject matter was significant in understanding a painting, then all portraits of say, George Washington would be of equal distinction. We can gain more insight into the unique interpretation an artist makes of a subject by looking at how s/he manipulates materials to convey a particular meaning or mood.
Before attempting to discuss an artists style, a basic understanding of art appreciation vocabulary and concepts is helpful. Be sure to select a few paintings from the Fleischer Cyber Gallery to use with the practice activities below.
~~> Visual Glossary: understanding the elements and principles of art ~~> Visual Glossary Practice Activity If you would like to view some examples of how subjects can be handled differently, try the following activity. ~~> 2 views for U: Compare/Contrast 2 interestingly matched artworks
As you have seen artists can manipulate materials in a large variety of ways when interpreting a subject to evoke a particular response or create a certain mood. But what makes an artist decide upon a specific style, subject, and mood? Typically, the social environment and the artists personality shape an artists response.
![]() landscape of the new Western frontier
Many factors synthesize and shape an artist's personal style. A very simplistic way of viewing how an artist style develops is to think of it as a combination of talent (creativity + ability) + education + exposure to other art and artists + life experiences. This varies widely among artists. This is why a knowledge of an artists training and background can be insightful.
For example, from 1904 to 1912, Guy Rose lived as a neighbor to Claude Monet in the little village of Giverny. Rose's friendship with Monet is clearly seen in this painting Pt. Lobos.
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